From the first advance call to the last case loaded on the truck, Earl brings 30+ years of hard-won expertise across every discipline of live event production.
This is the core of what Earl does — full-scale management of every production element on a major tour. Budgets, vendors, personnel, logistics, and daily operations for touring parties of 100+ people.
Current clients include Jason Aldean (2021–present). Past clients include The Band Perry, Kid Rock, and Peter Frampton. Earl's approach is methodical, relationship-driven, and relentlessly focused on keeping the production on track and on budget.
With more than 30 years in live audio production, Earl has the experience and vendor relationships to design and execute the perfect audio plan for any event. Whether it's a stadium tour or a televised special, the sound will be right.
Earl is a Parnelli Award winner for Monitor Mixer of the Year (2006) and has multiple Parnelli and TEC Award nominations for tour sound production excellence.
25+ years working with the best video production vendors in the country. Earl leverages long-term vendor relationships to design an efficient, visually stunning presentation plan for any scale — LED walls, IMAG, broadcast, and beyond.
Hands-on lighting design experience across multiple major tours, plus deep friendships with A-list tour lighting designers. Earl ensures your next event is visually stunning — and on budget. Beautiful doesn't have to mean expensive.
Nothing falls through the cracks. Meticulous advance work for every date — venue contracts, technical riders, production requirements, vendor coordination, day-of logistics. The show runs smooth because the advance was thorough.
Artist Production Coordinator at CMA Music Festival's Nissan Stadium shows since 2012. Multi-artist coordination at stadium scale — advancing performances, coordinating with in-house vendors, managing load-in/load-out, and representing event stakeholders to artist teams on show days.
Every production is different. Let's talk about yours.
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